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argument of an dubliners, essay Centre for Academic Success. Machiavelli's? It is very important that you recognize which type of essay questions are looking for some sort of dubliners the dead, judgement, and then to on Dress, be able to dubliners the dead, construct an effective, convincing argument in your answer. Writing? A major cause of complaint from tutors is that students at dubliners the dead all levels do not do this very well, and fashion profile, make their writing descriptive rather than argumentative. As a result, a well-argued, well-balanced assignment is dubliners the dead, almost bound to what is prose writing, get a very good mark. Dubliners? The following essay titles all require a judgement or argument: Should capital punishment be reintroduced in The American Hustle the UK? To what extent has the dubliners the dead government been successful in its fight against illegal drugs? The notion that all early music should be played on film amish authentic instruments is the dead, a fallacy. Discuss. It is fashion customer profile, a commonplace observation that workers dislike and dubliners the dead, resist change in the workplace. Customer? How far do you think this is dubliners, a rational response to their economic position and how far simply a result of the profile mismanagement of change? If you were to write a very general essay, for the dead example, about Essay on capital punishment, without answering the specific question asked, your mark is going to dubliners the dead, be low.

Instead, what you need to do is: think what the main points of machiavelli's, your argument would be. The Dead? do extensive reading to Essay, find evidence to back up your points, and at the same time note down counter-arguments and dubliners, contradictory evidence. There is always more than one side to movies medea, an argument, and it is very important in the dead a piece of academic writing to machiavelli's the prince, show that you are aware of these different opinions. The Dead? Your approach must be balanced, not one-sided. structure your answer carefully. Urn Essay? You should state what your conclusion will be right at the start in dubliners your introduction; then present both, or all, sides of the the prince argument in a logical, coherent manner, showing clearly which side you stand on by the specific use of dubliners, language (see below) and use of appropriate examples and evidence; and Essay on Dress, finally include a well-developed conclusion which draws all the strands together andmakes completely clear where you stand. In an the dead, argumentative essay the conclusionis probably the most important part, so don#8217;t make it too short. As stated above, your argument must be well-balanced and recognize different opinions and approaches. Essay On? You should not, therefore, be too dogmatic in the dead your approach, and completely dismiss one side of the argument. At the what writing same time, you should not #8220;sit on the dead the fence#8221; and take an indecisive approach, as this may be interpreted as you not having an opinion, or simply not knowing. Film Amish? (In terms of pure argument, you don#8217;t necessarily have to completely agree with what you are saying). The Dead? Sample piece of argumentative writing. Read the film amish following very short argumentative essay and go through the accompanying analysis. Discuss the dubliners the dead funding of childcare provision in the UK.

1 Recent changes in government priorities have seen a reduction in financial support for parents who use childcare. This is artists, occurring at dubliners the dead a time when there is increasing social and examples, financial pressure on dubliners parents, particularly. On Codes? mothers, to work. Dubliners The Dead? The issue of Essay on, childcare and dubliners, working mothers has been the subject of fashion, dispute for some time. Many, notably Giles (2001) and dubliners, Gough (1999) argue that the best place for children is machiavelli's the prince, always in their own homes with their own parents. However, it is my contention that there are many advantages to be had from the dead using childcare and the government should provide more financial assistance to parents who do so. 3 Another argument against the use of a Grecian Urn Essay, childcare facilities (Vaughan 2001) is dubliners the dead, that children can be emotionally deprived in these facilities compared to the home. This argument assumes that the best place for rythem artists children is to the dead, be at movies medea their parents', especially mothers', side for twenty four hours a day. It claims that children's emotional development can be damaged when they are left in the dead childcare facilities. And Blues Artists? However, parents and children need to spend sometime apart. Moreover, children become less dependent on their parents and parents themselves are less stressed and more effective care-givers when there are periods of separation. In fact, a recent study conducted by MCC (2003) indicates that the dubliners the dead parent-child relationship can in fact be improved by the use of high-quality childcare facilities.

4 It could further be asserted that the Ode on Urn Essay government and dubliners, the economy as a whole cannot afford the enormous cost involved in supporting childcare for working parents. However, working parents actually contribute to the national economy. They are able to utilise their productive skills and film amish, pay income tax, while non-working parents can become a drain on the dead the tax system through dependent spouse and other rebates. This is the customer profile introduction, which clearly states the main premise in the final sentence: These paragraphs all follow a similar pattern. The counter-argument is dubliners, given first, followed by the argument put forward by the writer of the movies medea piece. Dubliners? The counter-argument is #8220;weakened#8221; or #8220;problematized#8221; by phrases such as: This argument assumes . It could further be asserted . It is Essay on Dress Codes, important to show this opposing argument, as by doing so you are showing that you have considered both sides of the argument, and the dead, also that you are able to anticipate and rythem, criticize any opposing arguments before they are even stated. It is dubliners, also important to The American Hustle, clearly mark the shift from the opposing argument to dubliners the dead, your own supporting argument.

In these three paragraphs, this is done by the use of the word however . Movies Medea? This is the dead, a very short conclusion. 1 When you can think of the opposing opinion but you have not seen it written anywhere: 2 When you have seen the movies medea opposing opinion written in another text: Alternatives to #8220;however#8221;: A model argumentative essay. Should marine mammals be kept in captivity in dubliners marine parks? The issue of Ode on a Grecian examples, whether we should allow marine parks to stay open has been widely debated in our community recently. It is an important issue because it concerns fundamental moral and economic questions about the way we use our native wildlife. A variety of different arguments have been put forward about this issue.

This essay will consider arguments for having marine parks and point to dubliners, some of the problems with these views. It will then put forward reasons for the introduction of laws which prohibit these unnecessary and cruel institutions. It is the Essay on Dress Codes contention of the dubliners the dead Marine Park Owners Association that marine parks attract a lot of foreign tourists (The Sun-Herald, 1993). This position goes on film amish to assert that these tourists spend a lot of the dead, money, increasing our foreign exchange earnings and assisting our national balance of film amish, payments. However, foreign tourists would still come to Australia if the parks were closed down. Indeed, surveys of dubliners, overseas tourists show that they come here for a variety of other reasons and and blues, not to visit places like Seaworld (The Age, 1993). The Dead? Tourists come here to see our native wildlife in its natural environment and fashion, not to see it in cages and cement pools. The Dead? They can see animals in those condition in their own countries Furthermore, we should be promoting our beautiful natural environment to tourists and fashion customer, not the ugly concrete marine park venues. The Age (1993) Use of Marine Parks for Scientific Research 19.2.93. Dubliners The Dead? The Age (1993) Should Animals be Kept in Marine Parks/ 16.8.93.

Jones, G. Film Amish? (1991). The Myths about Animal Research in Marine Parks. Scientific Australian . Vol 12, No 3. Smith, H. Dubliners The Dead? (1992). Marine Parks: Good for machiavelli's Business, Good for the dead Australia. Leisure Business Review . A Grecian? Vol 24, No. The Dead? 4. The Sun-Herald (1993) Increase in movies medea Tourists Visiting Marine Parks 20.7.93. Dubliners The Dead? Links to further resources on developing an argument.

Last updated: 4 January 2011. Centre for Academic Success. City North : 0121 331 7685 Email. Essay On? Millennium Point Learning Centre : 0121 202 2500 Email. Dubliners? To book a tutorial at Millennium Point: 0121 202 2500.

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Dubliners the dead

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marti resume The conceited villager believes the entire world to dubliners the dead be his village. Provided that be can be mayor, humiliate the rival who stole his sweetheart, or add to the savings in his strongbox , he considers the universal order good, unaware of those giants with seven-league boots who can crush him underfoot, or of the strife in the heavens between comets that go through the air asleep, gulping down worlds. What remains of the village in America must rouse itself. These are not the times for is prose writing, sleeping in dubliners the dead, a nightcap, but with weapons for a pillow, like the warriors of Juan de Castellanos: weapons of the movies medea, mind, which conquer all others. Barricades of dubliners ideas are worth more than barricades of stones.

There is no prow that can cut through a cloudbank of ideas. A powerful idea, waved before the world at the proper time, can stop a squadron of iron-clad ships, like the mystical flag of the and blues artists, Last judgement. Nations that do not know one another should quickly become acquainted, as men who are to fight a common enemy. Those who shake their fists, like jealous brothers coveting the same tract of land, or like the modest cottager who envies the esquire his mansion, should clasp hands and become one. The Dead. Those who use the artists, authority of a criminal tradition to lop off the dubliners, hands of their defeated brother with a sword stained with his own blood, ought to The American Hustle Essay return the lands to the brother already punished sufficiently, if do not want the people to call them robbers. Dubliners The Dead. The honest man does not absolve himself of debts of honor with money, at so much a slap. Machiavelli's The Prince. We can no longer be a people of leaves, living in the air, our foliage heavy with blooms and crackling or humming at the whim of the sun's caress, or buffeted and dubliners the dead, tossed by the storms. The trees must form ranks to keep the giant with seven-league boots from is prose writing, passing!

It is the time of mobilization, of marching together, and we must go forward in close ranks, like silver in the veins of the Andes. Only those born prematurely are lacking in courage. Those without faith in dubliners the dead, their country are seven-month weaklings. Because they have not courage, they deny it to the others. Their puny arms-arms with bracelets and hands with painted nails, arms of Paris or Madrid-can hardly reach the film amish, bottom limb, and they claim the tall tree to be unclimbable. Dubliners. The ships should be loaded with those harmful insects that gnaw at the bone of the country that nourishes them. If they Parisians or from movies medea, Madrid, let them go to the Prado, to boast around, or to Tortoni´s , in dubliners, high hats.

Those carpenter's sons who ashamed that their fathers are carpenters! Those born in fashion, America who are ashamed of the mother that reared them, because she wears an Indian apron, and, who disown their sick mothers, the scoundrels, abandoning her on her sickbed! Then who is a real man? He who stays with his mother and nurses her in her illness, or he who puts her to work out of sight, and lives at her expense on decadent lands, sporting fancy neckties, cursing the womb that carried him, displaying the sign of the traitor on the back of the dead his paper frockcoat? These sons of fashion our America, which will be saved by its Indians in blood and dubliners the dead, is growing better; these deserters who take up arms in the army of and blues a North America that drowns its Indians in blood and is growing worse! These delicate creatures who are men but are unwilling to do men's work! The Washington who made this land for them, did he not go to live with the English, at a time when he saw them fighting against his own country.

These unbelievable of honor who drag the honor over foreign soil like their counterparts in the French Revolution with their dancing, their affections, their drawling speech! For in what lands can men take more pride that in our long-suffering American republics, raised up among the dubliners the dead, silent Indian masses by rythem and blues artists the bleeding arms of a hundred apostles, to the sound of battle between the book and the dead, processional candle? Never in what, history have such advanced and united nations been forged in so short a time from such disorganized elements. The presumptuous man feels that the earth was made to serve as his pedestal, because he happens to have a facile pen or colourful speech, and the dead, he accuses his native land of being worthless and beyond redemption because its virgin jungles fail to provide him with a constant means of travelling over the world, driving Persian ponies and lavishing champagne like a tycoon. The incapacity does not lie with the emerging country in quest of suitable forms and is prose, utilitarian greatness; it lies rather with those who attempt to rule nations of a unique and violent character by means of laws inherited from four centuries of freedom in dubliners, the United States and nineteen centuries of monarchy in France. A decree by Hamilton does not halt the charge of the fashion profile, plainsman's horse. A phrase by Sieyes does nothing to quicken the stagnant blood of the Indian race.

To govern well, one must see things as they are. And the able governor in America is dubliners the dead not the Essay, one who knows how to dubliners govern the Germans or the French; he must know the elements that make up his own country, and how to bring them together, using methods and institutions originating within the country, to reach that desirable state where each man can attain self-realization and all may enjoy the abundance that Nature has bestowed in everyone in the nation to enrich with their toil and defend with their lives. Government must originate in the country. The spirit of government must be that of the country Its structure must conform to rules appropriate to the country. Good government is what writing nothing more than the balance of the country's natural elements. That is why in America the imported book has been conquered by the natural man. Natural men have conquered learned and artificial men. The native half-breed has conquered the exotic Creole.

The struggle is not between civilization and dubliners the dead, barbarity, but between false erudition and Nature. The natural man is good, and he respects and rewards superior intelligence as long as his humility is not turned against him, or he is machiavelli's the prince not offended by being disregarded-something the natural man never forgives, prepared as he is to forcibly regain the respect of whoever has wounded his pride or threatened his interests. It is by conforming with this disdained native elements that the dubliners the dead, tyrants of America have climbed to power, and have fallen as soon as they betrayed them. Republics have paid with oppression for their inability to recognize the true elements of their countries, to derive from them the right kind of government, and to machiavelli's govern accordingly. In a new nation a government means a creator. In nations composed of both cultured and uncultured elements, the uncultured will govern because it is their habit to attack and resolve doubts with their fists in cases where the cultured have failed in dubliners the dead, the art of governing. The uncultured masses are lazy and timid in the realm of intelligence, and they want to be governed well. But if the government hurts them, they shake it off and govern themselves. How can the universities produce governors if not a single university in America teaches the rudiments of the art of government, the analysis of elements peculiar to the peoples of America?

The young go out into the world wearing Yankee or French spectacles, hoping to film amish govern a people they do not know. In the political race entrance should not go for the best ode, but for the best study of the political factors of one's country. Newspapers, universities and schools should encourage the study of the country's pertinent components. Dubliners. To know them is sufficient, without mincing words; for whoever brushes aside even a part of the truth, whether through intention or oversight, is doomed to film amish fall. The truth is built without it. Dubliners. It is easy to resolve our problem knowing its components than resolve them without knowing them. Along comes the natural man, strong and indignant, and he topples all the justice accumulated from fashion, books because he has not been governed in accordance with the obvious needs of the country.

Knowing is what counts. To know one's country and govern it with that knowledge is the only way to free it from tyranny. The Dead. The European university must bow to the American university. The history of America, from the Incas to the present, must be taught in clear detail and to the letter, even if the archons of Greece are overlooked. Our Greece must take priority over the Greece which is not ours.

We need it more. Nationalist statement must replace foreign statement. Let the world be grafted onto our republics, but the movies medea, trunk must be our own. And let the vanquished pedant hold his tongue, for there are no lands in which a man may take greater pride than in our long-suffering American republics. With the rosary as our guide, our heads white and our bodies mottled, both Indians and Creoles, we fearlessly entered the world of nations. Dubliners. We set out to conquer freedom under the banner of the virgin.

A priest, a few lieutenants, and what is prose, a woman raised the Republic of Mexico onto the shoulders of the Indians. A few heroic students, instructed in French liberty by dubliners the dead a Spanish cleric, made Central America rise in the prince, revolt against Spain under a Spanish general. The Dead. In monarchic garb emblazoned with the sun, the Venezuelans to artists the north and the Argentineans to the south began building nations. When the dubliners the dead, heroes clashed and the continent was about to rock, one of them, and not the lesser, handed the reins to the other. And since heroism in times of peace is rare because it is not a glorious as in times of war, it is easier to govern when feelings are exalted and united than after a battle, when divisive, arrogant, exotic, or ambitious thinking emerges. The forces routed in the epic struggle-with the feline cunning of the species, and using the weight of film amish realities-were undermining the new structure which comprised both the rough-and-ready, unique regions of dubliners the dead our half-breed America and the silk-stockinged and is prose, frockcoated people of Paris beneath the flag of freedom and reason borrowed from dubliners, nations skilled in the arts of government. Machiavelli's The Prince. The hierarchical constitution of the colonies resisted the dubliners, democratic organization of the writing, republics.

The cravatted capitals left their country boots in the vestibule. The bookworm redeemers failed to realize that the revolution succeeded because it came from the soul of the nation; they had to govern with that soul and not without or against it. America began to suffer, and the dead, still suffers, from the profile, tiresome task of dubliners reconciling the hostile and discordant elements it inherited from the despotic and perverse colonizer, and the imported methods and ideas which have been retarding logical government because they are lacking in local realities. Thrown out of gear for movies medea, three centuries by dubliners a power which denied men the right to use their reason, the The American, continent disregarded or closed its ears to the unlettered throngs that helped bring it to redemption, and embarked on a government based on reason-a reason belonging to all for the common good, not the university brand of reason over the peasant brand. The Dead. The problem if independence did not lie in a change of The American Hustle Essay forms but in change of spirit. It was imperative to make common cause with the oppressed , in order to secure a new system opposed to the ambitions and governing habits of the oppressors.

The tiger, frightened by gunfire, returns at night to his prey. Dubliners The Dead. He dies with his ayes shooting flames and his claws unsheathed. He cannot be heard coming because he approaches with velvet tread. When the prey awakens, the tiger is already upon it. The colony lives on the republic, and our America is saving itself from its enormous mistakes-the pride of its capital cities, the blind triumph of a scorned peasantry, the excessive influx of foreign ideas and formulas, the wicked and unpolitical disdain for the aboriginal race-because of the higher virtue, enriched with necessary blood, or a republic struggling against a colony. Fashion Profile. The tiger lurks again every tree, lying in wait at every turn.

He will die with his claws unsheathed and his eyes shooting flames. But these countries will be saved, as was announced by the Argentinean Rivadavia, whose only sin was being a gentleman in these rough-and-ready times. Dubliners. A man does not sheathe a machete in a silken scabbard, nor can he lay aside the short lance merely because he is angered and the prince, stands at dubliners the dead, the door of Iturbide´s Congress, demanding that the fair-haired one be named emperor. These countries will be saved because a genius for moderation, found in movies medea, the serene harmony of Nature, seems to prevail in the continent of the dead light, where there emerges a new real man schooled for these real times in the critical philosophy of guesswork and phalanstery that saturated the previous generation. American is escaping all its dangers. Some of the republics are still beneath the sleeping octopus, but others, under the Essay, law of averages, are draining their land with sublime and furious haste, as if to make up for centuries lost. Still others, forgetting that Juarez went about in a carriage drawn by mules, hitch their carriages to the wind, their coachmen soap bubbles.

Poisonous luxury, the enemy of freedom, corrupts the frivolous and opens the door to the foreigner. In others, where independence is threatened, an epic spirit heightens their manhood. Still others spawn an army capable of devouring them in voracious wars. But perhaps our America is running another risk that does not come from itself but from the difference in the dead, origins, methods, and interests between the two halves of the continent, and the time is near at hand when an profile enterprising and vigorous people who scorn and ignore our America will even so approach it and dubliners, demand a close relationship. And since strong nations, self- made by law and shotgun, love strong nations and them along; since the time since the time of madness and ambition-from which North America may be freed by the predominance of the purest elements in its blood, or on which it may be launched by its vindictive and sordid masses, its tradition of film amish expansion, or the ambition of some powerful leader-is not so near at hand, even to the most timorous eye, that there is dubliners no time for film amish, the test of discreet and unwavering pride that could confront and dubliners, dissuade it; since its good name as a republic in the eyes of the world's perceptive nations puts upon North America a restrain that can not be taken away by childish provocations or pompous arrogance or parricidal discords among our American nations-the pressing need of our America is to show itself as it is, one in spirit and intent, swift conquerors of a suffocating past, stained only by the enriching blood drawn from the scarfs left upon us by rythem and blues artists our masters. The scorn of our formidable neighbor who does not know us is our America's greatest danger. And since the day of the visit is near, it is imperative that our neighbor know us, and soon, so that it will not scorn us. Through ignorance it might even come the lay hands on us. Once it does know us, it will remove its hands out of respect.

One must have faith in the dead, the best in men and distrust the worst. One must allow the best to be shown so that it reveals and prevails over the worst. Nations should have a pillory for is prose, whoever stirs up useless hate, and another for whoever fails to tell them the truth in time. There can be no racial animosity, because there are no races. The theorist and feeble thinkers string together and warm over dubliners the bookshelf races which the machiavelli's, well-disposed observer and the fair-minded traveller vainly seek in the justice of Nature where man's universal identity springs forth from triumphant love and the turbulent huger for life. The soul, equal and eternal, emanates from bodies of different shapes and colors.

Whoever foments and spreads antagonism and the dead, hate between the races, sins against humanity. But as nations take shape among other different nations, there is condensation of vital and individual characteristics of thought habit, expansion and conquest, vanity and greed which could-from the latent state of national concern, and in the period of internal disorder, or the rapidity with which the country's character has been accumulating-be turned into a serious threat for the weak and isolated neighbouring countries, declared by the strong country to be inferior and perishable. The thought is the prince father to the deed. And one must not attribute, through a provincial antipathy, a fatal and inborn wickedness to the continents´ fair skinned nation simply because it does not speak our language, nor see the world as we see it, nor resemble us in its political defects, so different from ours, nor favourably regard the excitable, darkskinned people, or look charitably, from its still uncertain eminence, upon those less favored by history, who climb the road of republicanism by heroic stages. The self-evidence facts of the problem should not be obscured, because the dubliners, problem can be resolved, for peace of centuries to come, by appropriate study, and by tacit and immediate union in rythem, the continental spirit. With a single voice the hymn is already being sung; the present generation is carrying industrious America along the the dead, road enriched by their sublime fathers; from Rio Grande to fashion customer profile the strains of dubliners the dead Magellan, the Great Semi, astride its condor, spread the seed of the new America over the romantic nations of the continent and the sorrowful islands of the movies medea, sea! La Revista Ilustrada.

Nueva York, January 1, 1891. José Martí, (January 28, 1853-May 12, 1895), Cuba's National Hero and great figure of History, the Hispanic-American Letters and Culture. He studied Law and Philosophy and dubliners, Letters in Spain. The people of Cuba names him as the The American, Apostle. A thinker of universal stature, , Martí contributed with his texts to the sprouting of dubliners a new Literature language. With his genius and political action, he continued the ideas of Bolivar, Juárez and other Latin American outstanding figures.

Founder of the machiavelli's, Cuban Revolutionary Party (1892), he organized La Guerra Necesaria to free his motherland from the Spanish colonialism and facing the imminent expansion of the emerging United States´ imperialism, he summoned the peoples of Our America to conquer their second - independence. Little is known about José Martis´ diplomatic activity, and his participation as delegate in the Monetary Conference of 1891. However, in Marti's political project for independence, his diplomatic legacy remains alive. As delegate of the Cuban Revolutionary Party he put into practice a foreign policy conception which, based on the Latin-American and antimperialist ideas, did not limit its performance to dubliners the dead the establishment of fashion customer profile nexuses among governments and extended it to the dead the peoples. On December, 1889, Martí gave a speech known as Mother America, which constitutes a foreign policy project, where the movies medea, principles that should guide the relations among Latin American countries and dubliners the dead, the as the essential force to be used to restrain and oppose the conquest of Latin America by the United States were established.

A day before Marti was deadly wounded in combat, he wrote, a letter to his close Mexican friend Manuel Mercado, in movies medea, which he made enlightening and the dead, impressive revelations that are considered his political testament.

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43 Resume Tips That Will Help You Get Hired. When you haven’t updated your resume in dubliners the dead, a while, it can be hard to the prince know where to start. Dubliners! What experiences and accomplishments should you include for is prose the jobs you’ve got your eye on? What new resume rules and trends should you be following? And seriously, one page or two? Well, search no more: We’ve compiled all the resume advice you need into one place. Read on the dead, for tips and tricks that’ll make sure you craft a winning resume—and help you land a job. Machiavelli's! Your resume should not have every work experience you’ve ever had listed on it.

Think of your resume not as a comprehensive list of dubliners your career history, but as a marketing document selling you as the perfect person for the job. For each resume you send out, you’ll want to highlight only the accomplishments and skills that are most relevant to the job at hand (even if that means you don’t include all of your experience). Job search expert Lily Zhang explains more about what it means to tailor your resume here . 2. But Keep a Master List of All Jobs. Since you’ll want to be swapping different information in and out depending on the job you’re applying to, keep a resume master list on your computer where you keep any information you’ve ever included on a resume: old positions, bullet points tailored for different applications, special projects that only sometimes make sense to include. Then, when you’re crafting each resume, it’s just a matter of cutting and film amish pasting relevant information together.

Think of this as your brag file . 3. Put the Best Stuff “Above the Fold” In marketing speak, “above the fold” refers to the dead what you see on the front half of customer profile a folded newspaper (or, in the digital age, before you scroll down on a website), but basically it’s your first impression of a document. In resume speak, it means you should make sure your best experiences and accomplishments are visible on dubliners the dead, the top third of your resume. This top section is what the hiring manager is going to film amish see first—and what will serve as a hook for someone to keep on reading. So focus on putting your best, most relevant experiences first—and then check out these five other marketing tricks to get your resume noticed . According to Zhang , the only occasion when an dubliners, objective section makes sense is machiavelli's the prince when you’re making a huge career change and need to explain from the get-go why your experience doesn’t match up with the position you’re applying to. In every other case? Consider whether a summary statement would be right for you —or just nix it altogether to the dead save space and focus on making the rest of your resume stellar. There are lots of different ways to organize the information on what is prose writing, your resume, but the good old reverse chronological (where your most recent experience is listed first) is still your best bet. Dubliners! Unless it’s absolutely necessary in your situation, skip the writing, skills-based resume—hiring managers might wonder what you’re hiding. Dubliners The Dead! The two- (or more!) page resume is a hotly debated topic , but the bottom line is this—you want the information here to be concise, and making yourself keep it to one page is a good way to film amish force yourself to do this. If you truly have enough relevant and the dead important experience, training, and what is prose writing credentials to dubliners showcase on more than one page of your resume, then go for it. But if you can tell the movies medea, same story in less space?

Do. If you’re struggling, check out these tips for cutting your content down , or work with a designer to dubliners see how you can organize your resume to fit more in less space. Can’t figure out how to what is prose writing tell your whole story on dubliners, one page, or want to be able to include some visual examples of your work? Instead of trying to have your resume cover everything, cover the most important details on that document, and then include a link to your personal website , where you can dive more into what makes you the ideal candidate. We’ll talk about getting creative in order to stand out in a minute. But the most basic principle of movies medea good resume formatting and design? Keep it simple. Use a basic but modern font, like Helvetica, Arial, or Century Gothic. Make your resume easy on hiring managers’ eyes by using a font size between 10 and 12 and leaving a healthy amount of white space on the page.

You can use a different font or typeface for your name, your resume headers, and dubliners the dead the companies for which you’ve worked, but keep it simple and keep it consistent. Your main focus here should be on readability for the hiring manager. That being said, you should feel free to… Really want your resume stand out from the film amish, sea of Times New Roman? Yes, creative resumes—like infographics, videos, or presentations—or resumes with icons or graphics can set you apart, but you should use them thoughtfully. If you’re applying through an ATS, keep to the standard formatting without any bells and whistles so the computer can read it effectively. If you’re applying to a more traditional company, don’t get too crazy, but feel free to add some tasteful design elements or a little color to the dead make it pop. The American Hustle Essay! No matter what, don’t do it unless you’re willing to the dead put in the time, creativity, and design work to make it awesome.

10. Make Your Contact Info Prominent. You don’t need to rythem artists include your address on your resume anymore (really!), but you do need to make sure to dubliners the dead include a phone number and professional email address (not your work address!) as well as other places the hiring manager can find you on the web, like your LinkedIn profile and Twitter handle. (Implicit in this is that you keep these social media profiles suitable for prospective employers.) You’ve heard before that hiring managers don’t spend a lot of time on The American Hustle, each individual resume. So help them get as much information as possible, in as little time as possible. These 12 small formatting changes will make a huge difference. Know that design skills aren’t your strong suit but want your resume to look stunning? There’s no shame in getting help, so consider working with a professional resume designer. This is arguably the most important document of your job search, so it’s worth getting it exactly right! 13. Keep it Recent, Keep it Relevant. As a rule, you should only show the most recent 10-15 years of your career history and only include the experience relevant to the dead the positions to which you are applying.

And remember to allocate real estate on your resume according to importance. If there’s a choice between including one more college internship or going into more detail about your current role, always choose the latter (unless a previous job was more relevant to the one you’re applying to). 14. No Relevant Experience? No Worries! Don’t panic if you don’t have any experience that fits the bill. Film Amish! Instead, Zhang explains , focus your resume on your relevant and transferrable skills along with any related side or academic projects, and then make sure to pair it with a strong cover letter telling the narrative of dubliners why you’re ideal for the job. No matter how long you’ve been in film amish, a job, or how much you’ve accomplished there, you shouldn’t have more than five or six bullets in a given section.

No matter how good your bullets are, the recruiter just isn’t going to get through them. Dubliners! Check out these tips for writing impressive bullet points . You may be tempted to throw in tons of machiavelli's the prince industry jargon so you sound like you know what you’re talking about, but ultimately you want your resume to be understandable to the average person. Remember that the first person who sees your resume might be a recruiter, an assistant, or even a high-level executive—and you want to be sure that it is readable, relevant, and dubliners the dead interesting to film amish all of them. Use as many facts, figures, and numbers as you can in the dead, your bullet points. How many people were impacted by film amish, your work? By what percentage did you exceed your goals? By quantifying your accomplishments, you really allow the hiring manager to picture the level of dubliners the dead work or responsibility you needed to achieve them. Even if you don’t actually work with numbers, here are some secrets to and blues adding more to your resume . People hire performers, so you want to show that you didn’t just do stuff, but that you got stuff done! As you look at your bullet points, think about dubliners the dead, how you can take each statement one step further and add in what the benefit was to your boss or your company. Essay! By doing this, you clearly communicate not only what you’re capable of, but also the direct benefit the employer will receive by hiring you.

If you’re not sure how to the dead explain your impact, check out these tips for movies medea turning your duties into accomplishments . Describing soft skills on a resume often starts to sound like a list of meaningless buzzwords, fast. But being a “strong leader” or an “effective communicator” are important characteristics you want to get across. Think about how you can demonstrate these attributes in your bullet points without actually saying them. Dubliners The Dead! Zhang demonstrates here how you can show five different qualities with the same bullet point—try it yourself until you get the result you’re going for! 20. Don’t Neglect Non-Traditional Work.

There’s no law that says you can only artists, put full-time or paid work on your resume. So, if you’ve participated in a major volunteer role, worked part-time, were hired as a temporary or contract worker , freelanced, or blogged? Absolutely list these things as their own “jobs” within your career chronology. If every bullet in the dead, your resume starts with “Responsible for,” readers will get bored very quickly. Use our handy list of better verbs to mix it up ! Use keywords in your resume: Scan the job description, see what words are used most often, and make sure you’ve included them in your bullet points. Customer Profile! Not only is this a self-check that you’re targeting your resume to the dead the job, it’ll make sure you get noticed in applicant tracking systems. Stuck on which words to include? Dump the job description into a tool like TagCrowd , which will analyze and spit out the most used keywords. What words shouldn’t you include? Detail-oriented, team player, and hard worker—among other vague terms that recruiters say are chronically overused . What! We bet there’s a better way to describe how awesome you are. 24.

Experience First, Education Second. Unless you’re a recent graduate, put your education after your experience. Chances are, your last couple of jobs are more important and relevant to you getting the job than where you went to dubliners the dead college. 25. Fashion Profile! Also Keep it Reverse Chronological. Usually, you should lay down your educational background by dubliners, listing the most recent or advanced degree first, working in reverse chronological order.

But if older coursework is more specific to film amish the job, list that first to grab the reviewer’s attention. The Dead! Don’t list your graduation dates. The reviewer cares more about whether or not you have the degree than when you earned it. If you graduated from college with high honors, absolutely make note of it. While you don’t need to list your GPA, don’t be afraid to showcase that summa cum laude status or the film amish, fact that you were in dubliners the dead, the honors college at your university.

28. Include Continuing or Online Education. Don’t be afraid to include continuing education, professional development coursework, or online courses in your education section, especially if it feels a little light. Kelli Orrela explains , “Online courses are a more-than-accepted norm nowadays, and customer profile your participation in them can actually show your determination and motivation to get the skills you need for your career.” Be sure to add a section that lists out all the relevant skills you have for a position, including tech skills like HTML and dubliners the dead Adobe Creative Suite and any industry-related certifications. Just make sure to skip including skills that everyone is expected to fashion have, like using email or Microsoft Word. Doing so will actually make you seem less technologically savvy. Dubliners! If you have lots of skills related to rythem and blues artists a position—say, foreign language, software, and dubliners leadership skills—try breaking out one of those sections and listing it on its own.

Below your “Skills” section, add another section titled “Language Skills” or “Software Skills,” and customer detail your experience there. Again—we’re going for skimmability here, folks! Feel free to include an “Interests” section on dubliners, your resume, but only add those that are relevant to the job. Are you a guitar player with your eye on a music company? Definitely include it. But including your scrapbooking hobby for a tech job at film amish a healthcare company?

Don’t even think about it. 32. Dubliners The Dead! Beware of Interests That Could Be Controversial. Maybe you help raise money for your church on the reg. Machiavelli's The Prince! Or perhaps you have a penchant for canvassing during political campaigns. Dubliners! Yes, these experiences show a good amount of work ethic—but they could also be discriminated against by someone who disagrees with the cause.

Zhang explains here how to weigh the decision of whether to writing include them or not. Dubliners! Do include awards and movies medea accolades you’ve received, even if they’re company-specific awards. Just state what you earned them for, e.g., “Earned Gold Award for dubliners the dead having the rythem, company’s top sales record four quarters in the dead, a row.” What about personal achievements—like running a marathon—that aren’t totally relevant but show you’re a driven, hard worker? Zhang shares the proper ways to include them. Gaps and the prince Other Sticky Resume Situations. If you stayed at a (non-temporary) job for only a matter of months, consider eliminating it from your resume. According to The New York Times ’ career coach , leaving a particularly short-lived job or two off your work history shouldn’t hurt, as long as you’re honest about your experience if asked in dubliners, an interview.

If you have gaps of a few months in machiavelli's the prince, your work history, don’t list the usual start and end dates for each position. Use years only (2010-2012), or just the number of dubliners years or months you worked at movies medea your earlier positions. Dubliners The Dead! If you’ve job-hopped frequently, include a reason for leaving next to fashion profile each position, with a succinct explanation like “company closed,” “layoff due to the dead downsizing,” or “relocated to new city.” By addressing the gaps, you’ll proactively illustrate the reason for your sporadic job movement and what is prose writing make it less of an issue. Re-entering the dubliners the dead, workforce after a long hiatus? This is the what is prose, perfect opportunity for a summary statement at the top, outlining your best skills and accomplishments. Then, get into your career chronology, without hesitating to include part-time or volunteer work. Dubliners The Dead! See more tips from Jenny Foss for killing it on rythem, your comeback resume. Don’t try to creatively fill in gaps on dubliners, your resume. Film Amish! For example, if you took time out of the workforce to raise kids, don’t list your parenting experience on the dead, your resume, a la “adeptly managed the growing pile of laundry” (we’ve seen it). While parenting is as demanding and intense a job as any out Essay there, most corporate decision makers aren’t going to the dead take this section of your resume seriously.

39. Machiavelli's! Ditch “References Available Upon Request” If a hiring manager is the dead interested in you, he or she will ask you for references—and will assume that you have them. There’s no need to address the obvious (and doing so might even make you look a little presumptuous!). It should go without saying, but make sure your resume is free and clear of film amish typos. Dubliners! And don’t rely on movies medea, spell check and grammar check alone—ask family or friends to take a look at it for you (or get some tips from an editor on how to perfect your own work ). If emailing your resume, make sure to the dead always send a PDF rather than a .doc. That way all of your careful formatting won’t accidentally get messed up when the hiring manager opens it on his or her computer. To make sure it won’t look wonky when you send it off, Google’s head of movies medea HR Laszlo Bock suggests, “Look at dubliners it in both Google Docs and Word, and then attach it to an email and open it as a preview.” Ready to save your resume and send it off? Save it as “Jane Smith Resume” instead of “Resume.” It’s one less step the hiring manager has to take. Carve out some time every quarter or so to pull up your resume and make some updates. Have you taken on film amish, new responsibilities?

Learned new skills? Add them in. When your resume is updated on a regular basis, you’re ready to pounce when opportunity presents itself. Dubliners! And, even if you’re not job searching, there are plenty of good reasons to keep this document in tip-top shape. Photo courtesy of Hero Images / Getty Images . Erin Greenawald is a freelance writer, editor, and content strategist who is passionate about elevating the standard of fashion profile writing on the web. Erin previously helped build The Muse’s beloved daily publication and dubliners the dead led the company’s branded content team. Machiavelli's The Prince! If you’re an individual or company looking for help making your content better—or you just want to go out to tea—get in touch at

Hmmm, seems you#39;ve already signed up for this class. While you#39;re here, you may as well check out all the amazing companies that are hiring like crazy right now.

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code hero essay Crime and Gangster Films are developed around the sinister actions of criminals or gangsters, particularly bankrobbers, underworld figures, or ruthless hoodlums who operate outside the the dead, law, stealing and profile, violently murdering their way through life. In the 1940s, a new type of crime thriller emerged, more dark and dubliners the dead, cynical - see the section on film-noir for movies medea further examples of crime films. Criminal and gangster films are often categorized as post-war film noir or detective-mystery films - because of underlying similarities between these cinematic forms. Crime films encompass or cross over dubliners the dead many levels, and may include at Essay, least these different types of the dead, films: the The American Essay, gangster film, the detective (or who-dun-it) film, the crime comedy, the suspense-thriller, and the police (procedural) film. Crime stories in this genre often highlight the life of dubliners the dead, a crime figure or a crime's victim(s).

Or they glorify the the prince, rise and fall of dubliners, a particular criminal(s), gang, bank robber, murderer or lawbreakers in personal power struggles or conflict with law and order figures, an underling or competitive colleague, or a rival gang. Film Amish. Headline-grabbing situations, real-life gangsters, or crime reports have often been used in crime films. The Dead. Gangster/crime films are usually set in large, crowded cities, to provide a view of the secret world of the criminal: dark nightclubs or streets with lurid neon signs, fast cars, piles of cash, sleazy bars, contraband, seedy living quarters or rooming houses. Hustle Essay. Exotic locales for crimes often add an element of adventure and wealth. Writers dreamed up appropriate gangland jargon for dubliners the tales, such as tommy guns or molls. Film gangsters are usually materialistic, street-smart, immoral, meglo-maniacal, and self-destructive. Rivalry with other criminals in and blues gangster warfare is often a significant plot characteristic. Dubliners. Crime plots also include questions such as how the criminal will be apprehended by police, private eyes, special agents or lawful authorities, or mysteries such as who stole the valued object. They rise to power with a tough cruel facade while showing an ambitious desire for film amish success and recognition, but underneath they can express sensitivity and gentleness. Gangster films are often morality tales: Horatio Alger or 'pursuit of the American Dream' success stories turned upside down in dubliners the dead which criminals live in an inverted dream world of success and wealth.

Often from movies medea, poor immigrant families, gangster characters often fall prey to crime in the pursuit of wealth, status, and material possessions (clothes and cars), because all other normal avenues to the dead, the top are unavailable to them. Fashion Customer Profile. Although they are doomed to failure and inevitable death (usually violent), criminals are sometimes portrayed as the victims of circumstance, because the the dead, stories are told from fashion, their point of view. Early Crime-Gangster Films Until the Dawn of the Talkies: Criminal/gangster films are one of the most enduring and dubliners, popular film genres. They date back to the early days of film during the rythem artists, silent era. In fact, even Edwin S. Porter's silent short western The Great Train Robbery (1903) has often considered a classic hold-up story and chase film - a movie about crime.

Perhaps the earliest 'crime' film was Sherlock Holmes Baffled (1900) , a 45 seconds long short (released in dubliners the dead 1903) that was shown one-person at a time in fashion customer profile hand-cranked Mutoscope machines or nickelodeons in amusement arcades. It was also the earliest known film featuring Sherlock Holmes. The plot was about the dead, how the famed Arthur Conan Doyle detective, a cigar-smoking gentleman, was 'baffled' when a black-clothed thief magically disappeared (through trick-photography) with a sack of stolen goods. Also, The Adventures of Sherlock Holmes (1905) , released by movies medea Vitagraph (although now a lost film) has been considered the first Sherlock Holmes film since it was created for a theatrical audience rather than as a one-person Mutoscope production. One of the first films to dubliners the dead, officially mark the film amish, start of the the dead, gangster/crime genre was D. The American. W. Griffith's The Musketeers of dubliners the dead, Pig Alley (1912) about machiavelli's the prince, organized crime. It wasn't the dubliners, first gangster movie ever made, but it was the rythem and blues, first significant gangster film that has survived. Outdoor scenes were shot in the dead the gangland territory of NYC's Lower East Side with its slum tenements, and cast members included possible gang members. The story was about a poor, virtuous, and vulnerable Little Lady (Lillian Gish) who was threatened, victimized and artists, terrorized by Snapper Kid (Elmer Booth) - the gangster leader of a gang known as the Musketeers. [Note: There were some one-reel 'gangster' films before Griffith's film, such as Biograph's The Moonshiners (1904) , Edwin S. Porter's and the dead, Wallace McCutcheon's primitive chase film A Desperate Encounter Between Burglars And Police (1905) , and McCutcheon's docu-melodrama kidnapping story The Black Hand (1906) , but their importance and/or availability have been problematic.] French director Louis Feuillade's Fantomas series from the Gaumont film studio popularized the crime serial - Fantomas (1913-1914, Fr.) featured the character of supercriminal Fantomas (René Navarre).

Based on the novels of Marcel Allain and Pierre Souvestre, Fantomas was released as five separate films, running roughly an hour each. Other characters included police inspector Juve (Edmund Breon) and newspaper journalist Fandor (Georges Melchior), who worked to bring down the arch-villain-thief (a master of disguises), who also committed identity theft and murder. Fashion. The five episodes were: Fantômas - À L'Ombre de la Guillotine (1913, Fr.) (aka In the Shadow of the Guillotine) Juve Against Fantomas (1913, Fr.) (aka Juve versus Fantomas) The Dead Man Who Killed (1913, Fr.) (aka The Murderous Corpse) Fantomas Against Fantomas (1914, Fr.) (aka Fantomas versus Fantomas) Le Faux Magistrat (1914, Fr.) (aka The False Magistrate) Feuillade's later Judex (1916, Fr.) , another popular film serial, featured a female criminal. Traffic in Souls (1913) (aka While New York Sleeps) , a six-reel melodrama, was a photo-drama expose of white slavery (entrapment of young women into prostitution) at the turn of the dubliners the dead, century in movies medea NYC, although the film exploitatively promised steamy sex in its advertisements.

Mutual released The Gangsters and the dead, the Girl (1914) , a short starring Charles Ray as undercover Detective John Stone investigating neighborhood urban gangs and a wrongly-condemned slum girl. Raoul Walsh's first feature film, the silent crime drama The Regeneration (1915) has been regarded as the fashion profile, first feature-length gangster film, with presumably the first complex characterization of a criminal anti-hero. Dubliners The Dead. It showcased violent lawlessness on the streets of rythem artists, New York (it was shot on location in NYC's Bowery District on the Lower East Side), and the rise of an orphaned Irish-American slum boy named Owen Conway (Rockliffe Fellowes as a 25 year-old adult). He grew up to become a drunken gangster (prone to dubliners the dead, gambling) due to repressive social conditions in his environment. However, he was 'regenerated' (saved from a life of crime) after falling in love with do-gooder social worker Marie Deering (Anna Q. Nilsson).

The upcoming 1920s decade was a perfect era for the blossoming of the crime genre. It was the period of Prohibition, grimy and film amish, overpopulated cities with the lawless spread of speakeasies, corruption, and moonshiners, and the flourishing rise of organized gangster crime. Josef von Sternberg's gangland melodrama Underworld (1927) with George Bancroft and Clive Brook, reflected the 1920s. The Dead. It has often been considered the first modern gangster film, with many standard conventions of the crime film - and it was shot from the gangster's point of view. Hustle Essay. It won the Best Original Story Award for Ben Hecht - the first Oscar ever awarded for an original screenplay, and dubliners, the first of Hecht's two Oscar wins (among six writing nominations during his career). [The first 'gangster' pulp had the same title, Underworld , a breeding ground for many crime thriller plots.] And Lewis Milestone's The Racket (1928) , a Howard Hughes-produced film, concentrated on big-city corruption and a municipality controlled by the mob, and was banned in fashion Chicago because of its negative depiction of the police. Expressionistic German Crime Films: Three German directors contributed a number of dubliners the dead, expressionistic black and and blues artists, white crime films, noted for chiaroscoro lighting, sharp-angled shots, and monstrous characters (i.e., insane scientists or doctors, or crazed individuals): Robert Wiene's The Cabinet of Dr. Dubliners. Caligari (1919/1920, Germ.) (aka Das Kabinett Des Doktor Caligari) told about a ghost-like hypnotist-therapist in film amish a fairground-carnival named Dr.

Caligari (Werner Kraus). He used his power of hypnotism to commit crimes, through his performing somnambulist Cesare (Conrad Veidt). Dubliners. The influential film featured the the prince, shadowy, disturbing, distorted, and dream-nightmarish quality of the dubliners the dead, macabre and movies medea, stylistic 'Caligari,' with twisted alleyways, lopsided doors, cramped rooms, crooked and overhanging buildings, and skewed cityscapes. F.W. Murnau's silent classic Sunrise (1927) , was about a country village farmer (George O'Brien) who fell for the allure of a sophisticated, vampish seductress/temptress (Margaret Livingston) from the dubliners, City. She tempted him under the moonlight in a swamp, persuading him to devise a murderous plan to kill his pure, innocent wife (Janet Gaynor) - by drowning her during a trip to rythem and blues, the City. German director Fritz Lang also released several important silent crime films - influential post-war films that helped to launch the dubliners the dead, entire genre in the 1930s, including a series of Dr. Mabuse films about a mastermind character:

Dr. Mabuse, The Gambler (Parts I and II) (1922-1923) - a two-part silent crime melodrama about an movies medea evil, criminal boss capable of disguise, conspiracy, and tremendous hypnotic powers. Dubliners The Dead. The Testament of Dr. What Is Prose Writing. Mabuse (1933) (aka Das Testament das Dr. Mabuse) , a crime thriller and Lang's second sound feature, resurrected the ruthless genius (Rudolf Klein-Rogge) running a crime ring while imprisoned, and a tenacious Scotland Yard detective (Otto Wernicke) in pursuit. The film was noted for a spectacular car chase scene, explosions, and murders. The government interpreted the film as subversive and having anti-Nazi sentiments - causing Lang to hurriedly leave Germany (he soon relocated in the US and dubliners the dead, ended up directing in Hollywood by 1936). [Note: Ironically, the legendary director's swan-song film (his first film made in Germany since 1933), The 1000 Eyes of Dr. Mabuse (1960) , spotlighted the same arch-criminal character.] Lang's most seminal film was M (1931, Germ.) - his first sound feature (bridging the gap between silents and talkies). Hustle. It was an the dead expressionistic psychological thriller about a child molester serial killer.

The pedophile-psychopath was identified as Hans Beckert (Peter Lorre) - his coat back was marked in chalk with the letter M. He was caught hiding in an attic, and movies medea, taken to a large abandoned brewery building to stand trial, where he was questioned by a panel of dubliners, underworld boss-leaders. The Gangster Film in the Era of the Talking Picture: It wasn't until the sound era and the 1930s that gangster films truly became an entertaining, popular way to attract viewers to the theatres, who were interested in the lawlessness and violence on-screen. The events of the movies medea, Prohibition Era (until 1933) such as bootlegging and the St. Valentine's Day Massacre of dubliners, 1929, the existence of profile, real-life gangsters (e.g., Al Capone, John Dillinger, Pretty Boy Floyd, Baby Face Nelson) and the rise of contemporary organized crime and escalation of dubliners the dead, urban violence helped to encourage this genre. On the is prose, other side were law-enforcing G-Men (or government men) led by the FBI's J. Dubliners The Dead. Edgar Hoover.

Many of the The American, sensationalist plots of the early gangster films were taken from the day's newspaper headlines, encouraging the public appetite for crime films. The allied rackets of dubliners, bootlegging, gambling and prostitution brought these mobsters to folk hero status, and audiences during that time vicariously participated in the gangster's rise to power and rythem, wealth - on the big screen. They vicariously experienced the the dead, gangster's satisfaction with flaunting the film amish, system and feeling the thrill of violence. Movies flaunted the archetypal exploits of swaggering, cruel, wily, tough, and law-defying bootleggers and urban gangsters. The talkies era accounted for the rise of crime films, because these films couldn't come to life without sound (machine gun fire, screeching brakes, screams, chases through city streets and squealing car tires).

The perfection of sound technology and mobile cameras also aided their spread. The first 100% all-talking picture and, of course, the first sound gangster film was The Lights of New York (1928) - it enhanced the urban crime dramas of the time with crackling dialogue and exciting sound effects of squealing getaway car tires and gunshots. Rouben Mamoulian's City Streets (1931) from a story penned by Dashiell Hammett was reportedly Al Capone's favorite film, starring Gary Cooper and dubliners, Sylvia Sydney as two lovers trapped by gangland connections. Movies Medea. And Tay Garnett's violent Bad Company (1931) was the first picture to feature the gangland massacre on St. Valentine's Day.

Three Classic Early Gangster Films from Warner Bros: Warner Bros. was considered the gangster studio par excellence , and the star- triumvirate of Warners' gangster cycle, all actors who established and defined their careers as tough-guys in this genre, included Edward G. Robinson, James Cagney, and Humphrey Bogart. Others who were early gangster stars included Paul Muni and George Raft. Three great classic gangster films (among the first of the talkies) marked the genre's popular acceptance and started the wave of dubliners, gangster films in the 1930s in machiavelli's the prince the sound era. The lead role in each film (a gangster/criminal or bootleg racketeer of the Prohibition Era) was glorified as he rose to the top with infamy and power, but each one ultimately met his doom in the final violent scenes of these films, due to censors' demands that they receive moral retribution for their crimes. The first two films in the cycle were released almost simultaneously by Warner Bros, setting the dubliners, pattern for artists numerous imitators (with tommy guns, fedoras, double-breasted suits, etc.): (1) Little Caesar (1930) , directed by dubliners the dead Mervyn LeRoy, starred Edward G. Robinson as a gritty, coarse and ruthless, petty Chicago killer named Caesar Enrico (or Rico) Bandello (a flimsy disguise for a characterization of Al Capone), who experienced a rise to prominence and then a rapid downfall. Hustle Essay. Robinson was the first great gangster star. (2) The Public Enemy (1931) , directed by William Wellman, starred James Cagney (in his first film and breakout role) as a cocky, fast-talking, nasty, and brutal criminal/bootlegger named Tom Powers - most memorable in a vicious scene at the breakfast table where the dubliners the dead, snarling gangster assaulted his floozy moll girlfriend (Mae Clarke) by pressing a half grapefruit into her face. [Both were still in rythem artists their pajamas, indicating that they spent the night together.] The startling finale included the door-to-door delivery of dubliners, Cagney's mummy-wrapped corpse to his mother's house - the bandaged body fell through the front door. Fashion. The main story was about two brothers, Tom (Cagney) and his straight, uptight brother Mike (Donald Cook) who grew up and pursued very different lifestyles.

The pre-Code film emphasized how the early developmental environment clearly contributed to an evolving life of adult crime - and his inevitable gruesome death. (3) Scarface: The Shame of the dubliners, Nation (1932) , directed by Howard Hawks, a Howard Hughes' produced film from UA, starred Paul Muni as a power-mad, vicious, immature and writing, beastly hood in Prohibition-Era Chicago (the characterization of Tony Camonte was loosely based on the brutal, murderous racketeer Al Capone). Other stars were George Raft (as his coin-flipping emotion-less, right-hand killer) and Ann Dvorak (as Tony's incestuous sister Cesca). Both The Public Enemy (1931) and Scarface (1932) tried to deflect criticisms that they were sensationalizing the dubliners, lifestyle of the hoodlums, with unconvincing prefaces or disclaimers. In particular, Scarface (1932) began with a critical, written statement to indict gangster hoodlumism and fashion customer, the public's and government's indifference.

The audience was then blamed for dubliners promoting the role of the gangster with its perverse fascination in what is prose writing the phenomenon of mob activity - and then challenged: It is the ambition of the authors of the dead, 'The Public Enemy' to The American Hustle Essay, honestly depict an environment that exists today in a certain strata of American life, rather than glorify the hoodlum or the dubliners, criminal. This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and profile, our liberty. Every incident in this picture is the reproduction of an actual occurrence, and dubliners, the purpose of this picture is to demand of the movies medea, government: 'What are you going to do about it?' The government is your government. What are YOU going to do about it?

The Influence of the Hays Production Code on Gangster Films: The coming of the Hays Production Code in the early 1930s spelled the end to glorifying the criminal, and dubliners the dead, approval of the ruthless methods and accompanying violence of the gangster lifestyle. The censorship codes of the day in The American Hustle Essay the 1930s, notably the Hays Office, forced studios (particularly after 1934) to make moral pronouncements, present criminals as psychopaths, end the depiction of the gangster as a folk or 'tragic hero,' de-glorify crime, and the dead, emphasize that crime didn't pay. It also demanded minimal details shown during brutal crimes. One way the studios quieted some of the movies medea, protest and uproar over dubliners America's shame was to shift the emphasis from the criminal to the racket-busting federal agents, private detectives, or good guys on the other side of the law. In William Keighley's G-Men (1935) , the The American, best example of dubliners, this new 'gangster-as-cop' sub-genre, screen tough guy James Cagney starred as a ruthless, revenge-seeking, impulsive, violent FBI agent to Hustle Essay, infiltrate criminal gangs on a crime spree in the Midwest. Although he was on the side of the law working undercover, he was just as cynical, brutal, and arrogant as he had been in dubliners the dead his earliest gangster films. A police detective (Edward G. What Is Prose. Robinson in an against-type role) went undercover and joined a NYC racket in Bullets or Ballots (1936) , and in Anatole Litvak's The Amazing Dr. Clitterhouse (1938) , Robinson portrayed a brainy crime specialist who joined Rocks Valentine's gang (led by Humphrey Bogart) and dubliners, soon was masterminding heists. Robinson also starred as a college law professor - and special prosecutor who pursued justice in I Am the Law (1938) . Anthony Mann's T-Men (1947) explored the similarities between Treasury Department agents and the counterfeiting criminals they pursued, and emphasized how villains were caught by semi-documentary style crime detection procedures (lineups, fingerprinting analysis, lab work, etc.). Another developing 'Cain-and-Abel' sub-genre emphasized that crime didn't pay, in films such as Manhattan Melodrama (1934) with childhood friends William Powell and Clark Gable choosing two diametrically opposed lifestyles - prosecuting attorney and gambler/racketeer, and the prince, Angels With Dirty Faces (1938) with two young slum kids, James Cagney and Pat O'Brien, following two different paths - a criminal lifestyle (that was idolized by the Dead End Kids on New York's lower East Side) and the priesthood.

In the electrifying finale, Cagney was taken on dubliners, a long walk to his execution. William Wyler's gangster melodrama Dead End (1937) portrayed the efforts of New York slum dweller (Sylvia Sidney) to keep her gang member brother Tommy (Billy Halop, one of the Dead End Kids) from emulating gangster Humphrey Bogart. The adolescent gang actors (veterans of the Broadway version of Dead End ) were introduced in this film and later evolved into the East Side Kids and The Bowery Boys.

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essay paraphrase We all know that when you write a research paper, you need evidence to the dead support your arguments. That means you throw in a few quotes to prove to your professor that you’ve actually used sources to help write your paper, right? Sure, it’s important to add some quotes, but too many quotes can mean that your paper turns into one long quotation from artists, other people, leaving no room for your own words. If your paper turns into one big quote, you’re not even writing the paper. You’re just copying other people’s words.

While that may seem like the easy way out, you won’t earn a good grade by doing this. After all, your assignment is to dubliners write a paper, not copy and fashion profile, paste a paper. Instead of copying a bunch of quotes to prove that you’ve done your research, try paraphrasing. When you paraphrase, you’ll include information from sources in your own words, so your professors will still know you’re using sources, but you won’t have to quote everything. To learn more, keep reading, as this blog post explains the do’s and don’ts of paraphrasing and includes 10 examples of the dead, paraphrasing for a smarter, better essay. Contrary to what you might think, paraphrasing is not simply changing a few words. Yes, in order to paraphrase, you will need to change words, but you just can’t change the word “gathering” to “party” and call it a paraphrase. A properly written paraphrase expresses the ideas of a source or passage in your own words and is prose, sentence structure. Remember, you’re writing a paper for dubliners, your class, so you should still use formal, academic language. Don’t use slang or jargon. Isn’t a Paraphrase Just Like a Summary?

No. A summary is a shortened version of rythem artists, a piece of writing. It is written in the dead, your own words and includes only the key points of the writing . Movies Medea. A summary is much shorter than the original source. A paraphrase is the dead similar to a summary because you are rewriting the source in what is prose, your own words. They key difference is the dead that paraphrases include both key points and fashion customer profile, subpoints.

Because a paraphrase includes detailed information it can sometimes be as long (if not longer) than the original source. In either case, it’s important to keep the dubliners meaning of the original source. You can’t leave out words or add words to make the source fit into your paper if it changes the artists meaning . Yes. The Dead. Always. There’s no question as to whether you should or shouldn’t cite. Always cite a paraphrase. When you paraphrase, you’re rewriting someone else’s words into your own words. You’re essentially using someone else’s ideas in your paper. If you claim the information as your own (which is what you do if you don’t cite a paraphrase) you’re plagiarizing. And, of course, plagiarism means you’ll fail the paper and may even get kicked out of school! First read the film amish source carefully so you actually know what it means.

You can’t use it as a source if you don’t understand it. Next find the dubliners part of the source you want to paraphrase. You’re not rewriting the entire source in your paper, so don’t paraphrase much more than a paragraph. Finally, and pay attention to this step because it’s important, set the source aside. Write your paraphrase without looking at the original source. This will help you write in your own words and machiavelli's the prince, help you resist the the dead temptation to film amish use the wording and dubliners, sentence structure of the movies medea original source. Need some help putting this into the dead practice? Read the examples below to learn what you should and shouldn’t do when paraphrasing. 10 Examples of Paraphrasing to the prince Help Your Essay.

Example Paraphrase 1. “Police: Man breaks into Austin meat business, naps” Original source: “AUSTIN, Texas (AP) — Police have arrested a 28-year-old man who they say broke into dubliners the dead an Austin business, stole a couple of sausages and film amish, fell asleep.” Incorrect: A 28-year-old man in Austin, Texas didn’t break into dubliners the dead a business and run, like most criminals. Instead, he took several sausages then simply fell asleep inside the business. This paraphrase uses original wording and movies medea, sentence structure, but it is dubliners the dead plagiarized because it does not cite the original source. Correct: A 28 year old man in Austin, Texas didn’t break into a business and run, like most criminals. Movies Medea. Instead, he took several sausages then simply fell asleep inside the business (“Police: Man breaks into Austin meat business, sleeps”). This paraphrase includes a proper MLA in-text citation to give credit to the source. Example Paraphrase 2. “Police: Man fled crash to avoid yelling girlfriend” Original source: “VINELAND, N.J. (AP) — Police in dubliners the dead, New Jersey say a man told officers he fled the scene of an auto accident because he ‘didn’t want to deal with his girlfriend yelling at him.’” Incorrect: New Jersey police state a man said he left the is prose writing scene of a car accident because he didn’t want to dubliners deal with his girlfriend yelling at customer profile him (“Police: Man fled crash to avoid yelling girlfriend”).

The paraphrase only changes a few words. Most of the the dead words and sentence structure are too close to the original for this to be a good paraphrase. Correct: A man in New Jersey seemed to think leaving the scene of a car crash and being arrested was a better option than listening to his girlfriend yell. He told the police he fled because he didn’t want to listen to her yell at him (“Police: Man fled crash to avoid yelling girlfriend”). Example Paraphrase 3. “Plumber Caught Dancing On The Job Has All The Fly Moves” Original source: “The video of Topen’s dancing has racked up more than 400,000 views since it was posted on YouTube last week, and movies medea, the plumber says he’s already been approached in public for dubliners, his autograph.” Incorrect: The video has racked up more than 400,000 views since posted on YouTube last week, and the plumber has even been approached for his autograph. This paraphrase has two key problems: it doesn’t cite the original source, and it copies too much of the fashion customer original wording and sentence structure. Correct: Even though the dubliners the dead YouTube video of the dancing plumber was only posted last week, it has already had more than 400,000 views. Topen has become an rythem almost instant celebrity as strangers have even asked him for autographs (“Plumber Caught Dancing On The Job Has All The Fly Moves”). Example Paraphrase 4. “These Are Miley Cyrus’ Crazy Dating Rules”

Original source: “According to Heat magazine, Miley has a list of intense rules for dubliners, her men-to-be while out on fashion customer profile dates. Dubliners The Dead. Apparently her assistant arranges what the guy must wear, do, and talk about on the date. She’s also not into flowers, so he’s banned from bringing her those.” Incorrect: According to Heat magazine, Miley Cyrus has a list of The American Hustle Essay, rules for her men on dates. Dubliners. Her assistant arranges what guys wear and what they talk about. She doesn’t like flowers, either (“These Are Miley Cyrus’ Crazy Dating Rules”). This isn’t even a paraphrase. Rythem And Blues Artists. It just leaves out a few words. The Dead. Remember, a paraphrase must provide the same information as the The American Essay original and be written in the dead, your own word choice and sentence structure. Correct: As stated in Heat magazine, Miley Cyrus has a number of bizarre rules for what is prose, dating. Dubliners. She’s so specific about what her dates wear, say, and do, that she has her assistant enforce these rules on dates.

Cyrus doesn’t even like flowers and won’t let her dates buy them for her (“These Are Miley Cyrus’ Crazy Dating Rules”). Example Paraphrase 5. “Top 12 Bizarre Pet Accidents” Original source: “Often, a dog will chase an animal with the focus of a heat-seeking missile. But a wheelbarrow planter was not part of Belgian sheepdog Rider’s focus. Rider collided with the wheelbarrow while the squirrel escaped up a cedar tree in Joyce Biethan’s backyard. “He’s kind of an film amish all-or-nothing dog and dubliners the dead, he went into what is prose writing ‘all,'” Biethan said. “He chased after that squirrel with total disregard of what might be in the dead, front of machiavelli's the prince, him.” His collision left Rider with a broken scapula, a broken rib and the dead, a punctured lung. “He was in so much pain that I think he just tried to lay low,” Biethan said. The American Hustle. “He prescribed himself bedrest.” Biethan said Rider did not need surgery and made a full recovery.” Incorrect: A dog named Rider ran into a wheelbarrow but didn’t need surgery (“Top 12 Bizarre Pet Accidents”).

Can you guess what’s missing from this paraphrase? Details! The example does paraphrase some information, but it reads more like a summary, as it’s missing key details from the story. Correct: Like many dogs, a Belgian sheepdog named Rider became so focused on chasing down a squirrel that he paid no attention to the wheelbarrow directly in front of him. The squirrel got away, but Rider collided head on with the wheelbarrow. Dubliners The Dead. Rider broke his scapula, broke a rib, and also punctured a lung. Though he was likely in a lot of pain, he only needed rest. He did not have to have surgery” ( “ Top 12 Bizarre Pet Accidents”). Example Paraphrase 6. “10 Crazy Reasons People Got Rejected From College” Original source: “College admissions officers all advise against writing a college admission essay about something that an applicant learned while stoned or drunk. “But we still get a few of those essays,” a college admissions officer tells me. “We even got the classic one about how the student, while stoned, realized that the solar system is an customer profile atom and the earth is an electron.

You’ll remember, that conversation occurred in the dead, the movie Animal House .” Incorrect: A college admissions officer told the story of rythem artists, a student who didn’t get into college because he wrote an the dead admission essay about the movie Animal Hous e (“10 Crazy Reasons People Got Rejected From College”). Remember what I said earlier about writing an accurate paraphrase? This is a good example. This attempted paraphrase is about college admissions essays, but that’s where the accuracy stops. Make sure to the prince read the source carefully so you paraphrase correctly.

Correct: College admissions officers generally tell students not to write their admissions essays about a lesson they learned when being stoned or drunk; however, some students still ignore the advice. For instance, one student wrote about the conversation in Animal House , as if it were his own stoned experience, about the solar system as an atom and the earth as an election (“10 Crazy Reasons People Got Rejected From College”). Example Paraphrase 7. “Over-the-top international fast-food items” Original source: “For some reason, cheese-topped donuts are quite popular in Indonesia, and in September 2013 KFC decided to get in on the action, offering a glazed donut topped with shredded Swiss and dubliners the dead, cheddar cheese.” Incorrect: Cheese-topped donuts are popular in is prose, Indonesia. In September 2013, KFC decided to offer a glazed donut topped with shredded Swiss and dubliners the dead, cheddar cheese (“Over the top international fast-food items”). This example is film amish outright plagiarism. This isn’t a paraphrase at all; it simply omits a few words. Even though it includes a proper MLA in-text citation, it doesn’t rewrite the original using your own wording or sentence structure. Correct: In 2013, a KFC in Indonesia began selling shredded Swiss and the dead, cheddar cheese topped glazed donuts, a treat that is popular in this Asian country. (“Over the top international fast-food items”).

Example Paraphrase 8. Movies Medea. “Original Batmobile, built in 1963, fetches $137,000” Original source: “DALLAS (Reuters) – Holy Bargain, Batman! The original Batmobile fetched $137,000 at auction on Saturday, a small fraction of the the dead $4.2 million that a buyer paid last year for another version built for the television show that aired during the 1960s.” Incorrect: The Batmobile built for the Batman show during the 1960’s sold for $137,000 at auction” (“Original Batmobile, built in 1963, fetches $137,000”). Here’s a case of machiavelli's, not reading carefully!

Reread the original again. You’ll see that the dubliners the dead paraphrase is inaccurate. Writing. The Batmobile built for dubliners the dead, the 1960’s TV show actually sold for The American Essay, $4.2 million. Correct: The original Batmobile only sold for dubliners, $137,000 at auction, but the what is prose writing Batmobile built for the 1960’s TVs show sold for the dead, $4.2 million the year before (“Original Batmobile, built in 1963, fetches $137,000”). Example Paraphrase 9. “Police: Man Swapped furniture while neighbors away” Original source: “TACOMA, Wash. (AP) — A Washington state man is accused of swapping furniture with his neighbors while they were away.

“The News Tribune reports the Lakewood man and a friend who is accused of helping him pleaded not guilty Wednesday to charges of residential burglary. “Court papers say a couple who returned to their apartment Monday found their love seat, matching chair and other belongings gone. A recliner and film amish, TV stand were left in dubliners the dead, their place. Information on a traffic ticket and film amish, pizza receipt pointed to the neighbor. “The man told police he thought the couple had moved and dubliners the dead, abandoned their furniture. Police say he told them he was drunk when he decided to what is prose switch furniture, calling his buddy for help.” Incorrect: A man switched furniture with his neighbor.

Where do I start with the problems here? First, there is dubliners the dead no citation. Fashion. Without the citation, the paraphrase is plagiarized. Second, the paraphrase is dubliners too brief and does not summarize the information accurately. While the man did switch furniture with his neighbors, it’s important to writing note that he did so without his neighbor’s knowledge and while he was drunk. Correct: A man pleaded not guilty to residential burglary even though he switched furniture with his neighbors while they were away. Dubliners The Dead. He was drunk at the time and claimed he thought his neighbors had moved and fashion customer, abandoned their furniture (“Police: Man Swapped furniture while neighbors away”). Example Paraphrase 10. “Man Scares off Thieves with Gun on the dead Walker”

Original source: “A 68-year-old Gastonia man says he scared off two men in ski masks trying to break in his home with his gun he can keep on his walker. Movies Medea. And then he taped a note to dubliners his door saying if they try to break in his house again, he will be waiting on them.” Incorrect: A 68-year-old man scared off two men trying to break into his home. He had a gun on his walker. Rythem And Blues. He taped a note to dubliners the dead his door to warn them. It said he would be waiting for them if they came back” (“Man Scares off Thieves with Gun on Walker”). This paraphrase uses too many of the same word choices, but it also contains another error. Simply breaking a paraphrase into multiple sentences does not mean you’re writing it in your own words. Correct: Two men attempted to break into a 68-year-old man’s home; however, they were scared off by the gun the man kept on his walker.

Afterwards, the man taped a note to the door warning that he’d be waiting for the burglars if they came back” (“Man Scares off Thieves with Gun on fashion customer profile Walker”) Remember these three tips to paraphrase like a pro. Include key points and sub-points from the original source. Write a paraphrase in your own words and use your own sentence structure. Always cite a paraphrase. Don’t forget to have our Kibin editors review your paper. While they can’t paraphrase your document for you, they can make sure that your paraphrasing makes sense and is grammatically correct!

Psst. 98% of Kibin users report better grades! Get inspiration from over 500,000 example essays. About the Author. Susan M. Inez is dubliners a professor of English and writing goddess based out Hustle of the Northeast. Can you paraphrase this paragraph?please help me quickly. In this time globalization, more and more people speak more than one language.Nevertheless, bilingual or multilingual communication demands not only the ability to use the the dead other language but also to be able to and be willing to read the communication situation-this includes verbal and Essay, nonverbal behaviors as well as emotional reactions to such. To write the particular and dubliners the dead, functional essay every possible way out needs to film amish place in the sections in proper as well as precise manner.

No matter how hard the situations are the dubliners the dead single stated propositions are very much precise In every single way. Therefore this is an film amish ample opportunity to make the dubliners perfect along with proper steps for writing, smoother operations along with fundamental approaches to dubliners make the machiavelli's mark in functional options in every possible way. Dubliners The Dead. Thanks for sharing. need help can you paraphrase the lyrics of the song favorite girl by justin bieber…. please. Paraphrasing song lyrics can be difficult! To paraphrase this song, you’ll want to condense the lyrics and put them in your own words, but still keep the fashion profile second-person perspective. So a paraphrase of the dubliners the dead first couple stanzas might be: “While I always knew you were the prettiest, coolest girl I knew, I didn’t know my wish about you would come true.”

Depending on your assignment, a summary might be a better approach. Movies Medea. If that’s the the dead case, then you could write a pretty good summary by answering this question: If you were explaining to a friend what the song was about (assume she’s never heard it), what would you say? Then boom — you’ll have your summary #128578; how to paraphrase someone’s life experience for film amish, example if storyline is like “i went to drop my friend in the dead, cab and asked the driver to wait . then i got into a conversation with him.